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Apr. 21, 2008
IINTERVIEWS: DJ BeXta for ANZAC DAY SHOW
Spinning the
decks for over a decade as Australia's
No1 female DJ with the likes of established contemporaries such as Pee Wee
Ferris and Brian Canham of Pseudo Echo, is the surprising Trance mix of Bexta.
Listen to her sound and be captured. Just don't ask her to shuffle, ask her to
turn it up with her new track, VIP featuring Ammi. The last time we caught up
she was spinning disks at Future music. This time she was preparing for her
Anzac Day mix.
The Aussie
summer circuit has finished. What festivals do you aspire to play next?
I really
enjoyed playing at Future as it was the first time I played at the venue-
Sidney Myer music bowl.
How about
overseas?
I'd love to at
least go to Europe
and I have not even been to Glastonbury
at all. The UK
scene is pretty strong and there is one called Colours that I would be really
keen to play at. I think that one is still in the UK.
How do you
reckon the Australian scene compares to what's coming out of Europe?
I would say it’s
different. We've got an interesting scene at the moment, there's a lot of
Electro and House; it's massive. Where as at the other end of the spectrum,
there's the hard style mix, which is quite strong here. Then there's this kind
of little gap in the middle. The biggest DJ's in the world are Trance DJ's,
such as Tiesto and those guys. There is not that much representation of that
music here which is weird. However, I think it is changing at the moment though;
it is shifting from Electro as the demand for Trance is getting stronger. You
can hear the shift from the early 90's coming through.
What do you
think is coming back through?
The uplifting Trance
disappeared for a bit but I think some is coming through. Australia
has always been into the harder style of the Trance spectrum and I think that
there is a genuine interest in Trance again. It’s really exciting for all those
people who hung around in Trance and great to see the interest picking up
again. It is just cool!
10 years ago it
was more House style with peaks of Trance in the background. What are you
trying to do with your current tracks?
I've moved away
from the harder beats of house and I have not played that for a few years, even
though that was the main style I was known for. I'm more interested in the
uplifting beats and melodic Trance style; anything from the Progressive to the
Tech Trance. I love the vocal tracks but it can't be too girly or cheesy, it
has to be well produced, good vocals but with really driving rhythms. I
appreciate really good production. There is a lot of that around now and I
think Armin is about to put out an album now. I've heard the first track and it
was absolutely awesome. It’s almost like cool pop Trance!
So you like
some pop infused vocals and the cool beats and synthesiser in the back.
Yeah, I always
love playing the instrumentals of the harder versions as well and there is
always some cool remixes of the more pop sounding tracks from those guys.
What do you
look for in a vocalist when doing collaborations?
Well someone
who's got a definite style about them. I think they need to have a lot of
character in their voice and standout somehow, and have a real sense of
themselves in terms of what they want and how they can contribute to the track.
How they want to be represented is important. I did the 'VIP' track will Ammi;
she has a great voice. She is really into her Pop music but still is influenced
by the underground house and Trance. Ammi gave a more upfront pop vocal sound
with her interest and my interest in the underground Trance sound. It was a
nice compromise between the two of us.
You've done a
lot of collaboration namely with Brian Canham of Pseudo Echo for your current
release. Describe the mix session that led you to your new release:
It started off with Ammi and I just working
together for a while, on and off in the studio and then she came up with the
VIP track idea and then I wrote a track around it. It changed about six times
in the process which was interesting. When it was at a finished state we took
it to Brian Canham, from Pseudo Echo, and we put our heads together to do the
final production for the radio edit. It was fun working with him and doing
different mixes. I got the pop influence from him and then after that we I gave
it to Patrick Carrera who did a really cool Trance mix. I also did a harder Trance
mix for my club sets and another one with a 80s new order influence. I love playing
with the mixes and there is one for everyone. Brian
does a lot of production for people in all styles. It is cool that people like
him are still around.
It’s
interesting that the people who were pioneering the dance sounds of the 80s are
now producing. Do you see yourself producing later on?
Well that is
why I started my label and it gives fresh Australian talent the chance to be
heard beyond Australia.
It is great to get the production out there. It is my first way of helping
people. There seems to be quite a lack of an Australian presence in Trance, in
our corner of the woods. I was hearing some really great tracks and they were
real passionate about what they did, they just wanted to write the music. So I
wanted to help and now they are doing really well. Patrick Carrera is signed to
the label and every time he puts out a track it charts well locally and internationally.
It such a buzz to be apart of that!
What was your
first gig and how do you prepare?
I went live in Brisbane
at a party called Adrenaline on Halloween and there were about 4000 people. I
don't think I prepared! It was live so I knew what I was going to play but
basically I brought up all my friends up on stage so I would not have to be
standing up there alone. I wasn't nervous or anything as I had the support and
it was a lot of fun. A big jump in the deep end I think!
What are you
favourite venues you used to go to and have you played them now?
Well it’s
annoying because a lot of those clubs are actually shut down now. The Site, in Brisbane
is now a furniture store. The first club I ever experienced dance music and
loved it was at The Tunnel, on the Gold Coast but now it's called, Bedroom. It
has beds everywhere and it a bit different to the old Sunday nights of Tunnel.
I just remember walking in and it was the first time I heard the beats, dance
music and DJ's. Not Top 40 tracks at all. I think it changed my life hearing it
and thinking, 'My gosh! What is this and how do I get involved?'
The very first
songs that you would have heard, would you want to sample or mix them?
I haven't sampled them yet. Back then I had no
idea what was going on. I wasn't one of those people who knew tracks and trainspotted
all the time. I knew what songs I liked but not who they were by. I would just
record stuff off the radio if I wanted a listen. It is a good idea though,
going back and maybe taking some of the first sounds you connected with and
mixing it with what I’m into now.
What are you
listening to now?
In terms of
dance I’m listening to a lot of Trance from the UK and Europe.
One of my favourites is Armand. I have lists upon lists in my computer. Marcus
Schulz was great at Futuremusic and he is my fav producer at the moment. The
Chemical brothers were cool too but it is all a spectacle really and they have
the budget to do whatever they like.
Out side of
Dance, what else do you listen to?
I listen to everything
but not R'n'B, Death Metal and Country and Western Some Classical stuff, some
down tempo rock I’m into. I'm more of a sun and beach girl so death metal is
not on. I prefer chill sessions and a lot of Aussie rock. It’s good to get
different influences. I would get sick if dance music if that’s all I listened
to. Also, I tend to break it down and start analysing it and I can't switch
off. The more it is removed from the genre that I play then the less my brain
works and I can relax.
What do you
enjoy most at the end of a tour?
Just hanging
out at home and catching up with everyone. I love the studio and never really turn
my ears off or come off the road. It’s been a while between breaks. The longest
one was about 2 months about 5 years ago. I find quick breaks help as I just
need to keep mixing but also keep a balance or I find I get really restless. My
next big stop is the UK
and hopefully I can get some time to look around in-between sets.
Can you do the Melbourne
shuffle dance moves or do you prefer to mix it up behind the decks?
I can shuffle
for about 3 seconds and then one foot trips over the other. It is really not
cool. (Laughs) I'm happy to stay behind the decks. I love watching it from
behind the decks. It’s funny because in Brisbane and Sydney they have adapted
it as well. There is a bit of cap spinning going on and they look like dancing
toys at 3am.
It's cool and I wish I could do it properly.
Have you had any
funny club or weird fan experiences?
Oh yeah! Plenty
of weird ones and some very enthusiastic people! (Laughs) Generally people are
pretty cool. I have had some people at the Big Day Out throw underwear at me
along with shouting out their cheeky compliments. It was so funny, as you don't
expect that. I've also been given pet rocks. Mostly it is just notes and
things, which is kind of cool. I like to keep in touch with people via my
websites and get feedback too.
CATCH BEXTA AT THE VIPER ROOM THIS ANZAC DAY.
Visit www.mixologydigital.com for release info.
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